ShowCase 系列展覽– 走進異境
閃耀吧！瘋狂的鑽石 Shine on You Crazy Dimond
展期：2021 春 Spring
閃耀吧！瘋狂的鑽石 Shine on You Crazy Dimond
2019年底的時候，我在中國東北駐地，沿著鴨綠江自駕拍攝，這是一條自然邊界的河川。
沿路的公路旅行拍攝了江邊的景觀，也看到了江對岸另一個國土，因此前往了北韓拍攝。一直以來我對邊界的定義很感興趣，沿途的拍攝以及蒐集到的一些鴨綠江邊界文史圖片，也和當代新景觀的影像產生了共鳴。
”閃耀吧！瘋狂的鑽石”系列，以鴨綠江為自然的邊界拍攝了景觀以及靜物，它們是自然的、是人造的；與造訪北韓的影像相互呼應。但是其協調和違和共存的存在形式，造就了絕佳的視線匯集點。
At the end of 2019, I was in the encampment of the northeast China. I was driving and do-ing photography along with the Yalu River, a river that acts as a natural boundary.
The view of the river was filmed along the road trip, and I saw another country on the opposite shore of the river. Therefore, I went to North Korea for filming. For a long time, I’ve been interested in the definition of the boundary. The filming during the journey and the collected historic pictures of the Yalu River boundary generate resonance with new contemporary images.
The series of “Shine on You Crazy Dimond” filmed sights and still life that based on natural boundary of the Yalu River, which are in correspondence with the images of visiting North Korea. However, the form of coexisted coordination and disharmony has created a superexcellent sight convergence point.
歐家成 Ou Chia-Cheng
生於1984年，臺北人，自由攝影師，現居臺北。
以往的作品慣以快照的直觀視角捕捉私人生活的跳躍片段，並探討個人情感如何回應不同的時間設定。從觀看層面講，此類親近日常的拍攝方式映現出的模糊、閃爍畫面是對人眼瞥視經驗的模仿。那些看似“索然無味”的現實幻影代表著經驗範疇內出乎意料的偶發事件，其審美快感來自於攝影師為觀眾設置的特定心理距離。我的目標是制作將觀眾吸引到現在的照片。 對細節的關註使我們保持現狀，它阻止我們對未來感到煩惱或對過去感到後悔。
近期的作品關註人造環境，記錄它們脫離生產後作為事件背景被重新安置的場景。通過這些拍攝，提出身份不僅僅是找到我們來自哪裡; 且是定位我們的落腳點以及我們如何適應它的過程。
教育背景
2003-2006 臺灣逢甲大學水利工程學系
2012 紐約ICP MFA
Born in 1984 in Taipei, Taiwan. Freelance photographer, Currently based in Taipei, Taiwan.
Most of my previous works are direct snapshots into the flashes of private life, which enables me to explore how personal emotion responds to the changes of time. The blurred and sparkling image mimicking the experience of a quick glance,My goal is to make photographs that draw viewers into the now. A focus on details keeps us in the present, it stops us from fretting on the future or regretting the past.
My recent work focuses on man-made landscape, capturing the relocation of the artificial environment as an ongoing background. Perhaps the meaning of identity is something more than an origin, it can also be the progress of locating ourselves and, adapting to the processes accordingly.
Education
2003-2006 Hydraulic Engineering, Fengchia University, Taiwan
2012 MFA in International Center Of Photography ,NYC.
